Friday, October 22, 2010

2nd Season #5

Playlist from October 15th, 2010:

1. Big Sur - The Thrills
2. Why Wont You Make Up Your Mind - Tame Impala
3. On Melancholy Hill - Gorillaz
4. Little Golden Age - Wolf Parade
5. Actor Out Of Work - St. Vincent
6. Summer Mood - Best Coast
7. Holland, 1945 - Neutral Milk Hotel
8. Idiotheque - Radiohead
9. The Splendour - Pantha du Prince
10. Answer To Yourself - The Soft Pack
11. Goodbye / Farewell - M83
12. Memories - Clinic
13. Wait For The Summer - Yeasayer
14. Glitter - No Age
15. The Coast Is Always Changing - Maximo Park
16. In The Sun - She & Him
17. The Magic Position - Patrick Wolf
18. Brave New World - Weezer
19. Hunting For Witches - Bloc Party
20. Flashover - Klaxons
21. Kaili - Caribou
22. Song To Sing When I'm Lonely - John Frusciante
23. Proffesor Nohair - Martin, Medeski & Wood
24. Phantom Other - Department of Eagles
25. Corpus Christi Carol (For Roy) - Jeff Buckley

2nd Season #4

Playlist from October 8th, 2010:

1. Ulysses - Franz Ferdinand
2. We Share The Same Skies - The Cribs
3. Phenomenons - Twin Sister
4. Rococo - Arcade Fire
5. Kanske Ar Jag i Dig - Jens Lekman
6. Every Planet We Reach Is Dead
7. Feel It All Around - Washed Out
8. Windsurfing Nation - Broken Social Scene
9. Like A Tourist - Of Montreal
10. Solitary Gun - Rogue Wave
11. Sandpiper - Action!
12. My Friend John - The Fratellis
13. Love's Not A Competition (But I'm Winning) - Kaiser Chiefs
14. Thieves in the Night - Hot Chip
15. Take 'Em - Last Good Tooth
16. Love Makes You Happy - Rafter
17. Warsaw - Groove Armada
18. Reel Life (Evolution II) - The Cinematic Orchestra
19. Not So Nice - The Vespers
20. In The Morning - Graham Coxon
21. She Gone - Gonjasufi
22. Istanbul Can Be Dub - Wax Poetic
23. Indian Summer - Manic Street Preachers

Saturday, October 2, 2010

2nd Season #3

This week's show was just one hour:

1. Gulag Orkestar - Beirut
2. World News - Local Natives
3. Who Knows Who Cares - Local Natives
4. Tiny Insects - Elf Power
5. Got The Shakes - James
6. 2080 - Yeasayer
7. Legal Man - Belle and Sebastian
8. Gotta Move -The Avery Set
9. Gold Lion - Yeah Yeah Yeahs
10. Future Memories - Klaxons
11. Local Joke - Neon Indian
12. Meeting Place - The Last Shadow Puppets
13. Butterflies and Hurricanes - Muse

Saturday, September 25, 2010

2nd Season #2

Tonight's show:

1. Echoes - Klaxons
2. It's Not Meant To Be - Tame Impala
3. Don't Look Back - She & Him
4. Soleil Soleil - Meklit Hadero
5. Mike Mills - Air
6. Gong - Sigur Ros
7. Triskaidekaphobia - Shooting Jennings and Hieroplant
8. Everything to Nothing - Manchester Orchestra
9. Twin Peaks - Surfer Blood
10. Equus - Blonde Redhead
11. Blackest Eyes - Porcupine Tree
12. Fool's Day - Blur
13. Dust - Queens Club
14. Our Deal - Best Coast
15. Winter Winds - Mumford and Sons
16. Barricade - Interpol
17. No Drugs To Use - Turbo Fruits
18. Come on Home - Franz Ferdinand
19. Saint Simon - The Shins
20. The Mystery Zone - Spoon
21. Party For Children - Ratatat
22. The End of the World Party - Martin, Medeski & Wood
23. Broken Mirror - Travis
24. Meadowlarks - Fleet Foxes
25. Congratulations - MGMT

2nd Season #1

Here's the playlist of the first show of the fall semester:

1. Sun Hands - Local Natives
2. Someone's Missing - MGMT
3. Odessa - Caribou
4. Suburban War - Arcade Fire
5. Audience - Cold War Kids
6. Yulia - Wolf Parade
7. Stare Straight Ahead - Action!
8. Melatonin Rum - The Vespers
9. Johnny Cash - Sons and Daughters
10. 2+2=5 - Radiohead
11. The Reeling - Passion Pit
12. Solitude is Bliss - Tame Impala
13. I Walked - Sufjan Stevens
14. Tighten Up - The Black Keys
15. My Companera - Gogol Bordello
16. Eclipse - The Flaming Lips / Stardeath & White Dwarfs
17. Circling - Four Tet
18. The Wakening - Atticus Fault
19. Playground Love - Air
20. Black Sands - Bonobo
21. No One Does it Like You - Department of the Eagles

Friday, September 17, 2010

News

Fall semster at WRVU started this week and Myths Of The Near Future will be returning on air, on it's usual time, Fridays 8-10 PM. First show of the fall semester is tonight at 8PM! Fall Semester will end in mid-December.

And there are also some heart-wrenching news about the future of WRVU. Yesterday, VSC (Vanderbilt Student Communications Inc. - which owns WRVU) declared that they have been thinking about selling WRVU's broadcasting license, and use the incoming money funding the whole VSC student media. What this means is that, if it happens, WRVU will be an internet-only 'radio', in other words, WRVU Nashville 91.1 FM will be just wrvu.org. Various reasons have been presented by VSC for considering such a sale, ranging from the inevitable death of terrestial radio to most people using the wrvu.org to stream WRVU anyway. Although they do have some logic in their argument, one thing that should be noted is that WRVU is the oldest radio station in Nashville - the Music City USA.

If you want your comments to be heard, as a WRVU listener, the VSC board is willing to hear from you. All you have to do is to go to www.vandymedia.org/wrvu and post a comment below. Please do this, contact VSC, if you care about WRVU! The Executive Staff and DJs of WRVU are also planning about what kind of actions to take, in order to save WRVU.

Friday, August 6, 2010

What I've been listening to lately, #4


Since I found out that the die-hard New Yorkers, Interpol, has marked early September as the release date for their fourth album (Interpol), I've been shuffling through their past three releases. One thing I've noticed was how drab their progress was, from debut to the third. The debut, Turn on the Bright Lights, is a fantasic work of art, and it has already reached cult status in the indie-rock scene, just in eight years. It is such a strong, such an emotionally dense record. It has melancholy, it has agression, it has grief; everything that defines Interpol's music. But when I was listening the next two albums, Antics and Our Love to Admire, it occured to me that Paul Banks might have put out all of is sadness, let out all the sorrow he has collected in Turn on the Bright Lights; and that there was none left for the other two. Antics and Our Love to Admire are not overdosed by sonic extasy, but it just sounds like Interpol got somewhat alienated by the roots they established with Turn on the Bright Lights. Compared mostly to post-punk's creators Joy Division, -and Ian Curtis-, just like them, Interpol, -and Paul Banks- do get influenced by pain; just pure pain and simple tragedies of the everyday life. And it is this humanistic approach towards pain, the atmosphere of accepting it as a usual fact of life and coping with it, is what makes Interpol's music so special, and in particular making Turn on the Bright Lights such a beautiful album.

But as I've noted, as Antics arrive, and later followed by Our Love to Admire, there is a feeling that Interpol had some struggling with creativity, around that era. Facing struggles on their later albums is a common issue with bands that have ground-breaking debuts, but with Interpol it's quiet different. They didn't completely destroy what they have created with their debut, but their music just does not sound as free-flowing as it used to be. Some tunes on Antics and Our Love to Admire give the listeners a very tough listen, like reading a piece by a writer who has been facing "writer's block" for a time. I have to admit I can not listen to Our Love to Admire from beginning to end, throughly.

All in all, these are just my thoughts.

Though I don't see them as great albums as a complete work, there are tracks that I love from both Antics and Our Love to Admire, such as 'Take You on A Cruise', 'Next Exit', ' The Scale', or 'Mammoth'. Interpol is, after all, one of the most unique bands of this generation, and I am a fan. What I've been trying to say is that they have the potential of making perfect records, they are much more than a band that produces below-par albums with occasional mind blowing hits.

Paul Banks is a great poet on the other hand. His solo effort under the moniker Julian Plenti last year, was a very successful work. And it was also a proof of how melodic and romantic he could get as a musician, rather than standing up on stage dressed up like he's just been to a funeral, singing about "stabbing yourself in the neck".

These fashionable representers of post punk are definately one of a kind. Just don't blow this one away guys. We'll wait and see what the self-titled fourth one will bring, which is set to be released on September 7 in the USA.